Nice cover from Slow Children, sort of Fritz Lang meets New Wave...
Wednesday, October 22, 2008
Sunday, October 19, 2008
I did nicely, thanks for asking.
Bargains galore, Marc & the Mambas "Untitled" for $3 is hard to beat, but I also found 2 Century 21 records for $5 each ("Marina Speaks" & "A Trip To Marineland").
Some other purchases were -
Dean Martin - The Silencers
The Charlie Byrd Quartet - Let Go
Jonathan & Darlene Edwards - Sing Along With
The Sandpipers (S/T)
Billy Vaughan - the Windmills of Your Mind (who can resist any version of that song?)
Bobby Sherman - A Portrait of Bobby
and Shelly Manne & His Friends - Contemporary (which I bought mostly for this cover)
Sunday, October 12, 2008
Making it quite clear that Austin Powers was a (first movie at least, and rather clever) composite of ideas plundered from 60's spy movies here's The Ambushers, one of the (I think, 4) Matt Helm spy-taculars. This one is brimming with Carry-on worthy double-entendres and lame (read that tragically funny) sex jokes with leathery, over-tanned and probably drunk Dino incomprehensibly irresistible to the hordes of bikini-clad babes a third of his age. There is a notable absence of any attractive males in the film, which might have been deliberate to make Dino the alpha-stud - I'm just saying...
Anyway, Austin Powers - ok, just two examples - there's a bra that fires bullets (although this actually was potentially copied from the 1965 film La Decima Vittima where Ursula Andress is likewise attired with such a firing garment).
The dialogue for its introduction:
Linda: It's not a gun, Mr. Helm. It's the new weapon they gave me, developed right here in our labs.
Matt Helm: Developed pretty well, too!
Linda: May I point out...
Matt Helm: You already do!
Linda: ...that that's why you're here. To become familiar with our latest equipment.
Matt Helm: You right. An agent should always keep *abreast* of the times!
You get the idea, and if you don't immediately repeat 12 "Oh I Saaay!"-s to Kenneth Williams, the great god of the double-entendre. For more Austin-isms I submit the name Lovey Kravzit, which surely must have lead the way for Meyer's more graphic Allota Fagina.
The Ambushers is FUN, with a great soundtrack (which I would love to track down) and the go-go theme sung by Boyce & Hart and all the music by the superb Hugo Montenegro. What also helps this one along are the two lead females - Sheila Sommers, played by Janice Rule and Francesca Madeiros played by Senta Berger. Both leads add much-needed female strength to the film and don't spend their time throwing themselves at Helm like most of the women in the film, and apparently the entire planet, do. Both are also surprisingly complex characters for a film of this ilk, Madeiros as the femme fatale and Sommers as his Emma Peel - and both prove an equal, if not better, to Helm.
Dino seems to saunter his way through the film, even in the action scenes, as if the next martini is just out of the frame. With wise-cracking cool even when staring down the barrel of a gun his Helm is the stuff of storybooks, and makes the movie even more fun. Oh, and there's a mincing- stereotype hairdresser. I know some of my people get upset about stuff like that, but I find it pathetically funny.
Monday, October 6, 2008
A bit 60's, a bit Roman Empire and totally great cover (and single). Most of B+S's covers are crushworthy and also iconic on a Smiths level, but this is my favourite.
Saturday, October 4, 2008
More portraiture, this time an monochromatic uncluttered photo of British journalist/musician/singer/indie goddess Cath Carroll (taken by Robert Mapplethorpe) with Unrest written in a graphic '70s style font. The hat dates this photo a little, but in a good way. Spookily, her eyes follow you around the room.
Friday, October 3, 2008
This is the first post in a series of my favourite album covers, starting with Goya by Grenadine (Shimmy Disc 1992). I love the classic portraiture - meets advertising - meets high school prom - meets quasi-religiousness - of it all. I've never tried anything from the GOYA range of products they are so lovingly displaying, but this album makes me want to!
Grendine was an indie super group comprised of Mark Robinson (Unrest), Jenny Toomey (Tsunami) and Rob Christiansen (Eggs) and it's is also a superb album full of great and often quite weird-pop songs ("Fillings" for example, which draws a parallel between romance and Dentistry) . I prefered this album to the follow up (Nopalitos) but I really should reassess it now as it's been years since I last played it. It also had a nice cover in a similar style - but it wasn't quite Goya.